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She also took over the role of the harpy actress-wife in the West End production of Simon Gray's thriller Stagestruck (Vaudeville, 1981).
Undoubtedly Gish could have enjoyed a lucrative career in similar roles or on television.
Pitlochry in Scotland offered her an early repertory season, during which she met her husband Roland Curram.Her scenes with Clare Higgins as her sister Stella became the nexus of the evening, which, especially in the heart-wrenching closing scene, became, fascinatingly, a tragedy of two women.Audiences - in the words of Elia Kazan, Streetcar's first director - gradually became aware of "sitting in on the death of something special".For an actress of such flawless, delicate beauty, the facial cancer that struck Sheila Gish at the peak of her career was a particularly cruel blow.But the spirit and strength that made such a telling fusion with her fragile allure in many of Gish's finest performances - and which led her to make a courageous radical change of direction in mid-career - stamped her indomitable reaction to her later hurdles.
Continuing to try to work with directors she admired, Gish shone in Sara (Cheek by Jowl, 1990) for Declan Donnellan, and as a glittering Clytemnestra for Deborah Warner in Electra (Riverside Studios, 1991) opposite Fiona Shaw.